I’m back again with my annual list of interesting books I read during the year. There were a lot of great options, but I narrowed my list down to my best six, plus a look at what’s coming in 2022.
It was a busy year for artist and creator Lady Sara Richard. On my 2022 preview list, the highly-anticipated Greek Mythology: The Gods, Goddesses and Heroes Handbook: From Aphrodite to Zeus, a Profile of Who’s Who in Greek Mythology, a book written by Liv Albert and illustrated by Sara, surpassed expectations. The origins of Greek mythological characters come alive through Liv’s interesting tales and Sara’s beautiful art.
Sara was far from done, though. Late in the year, The Dead Hand Book: Stories From Gravesend Cemetery was published. The Dead Hand Book is a collection of tales, a bit macabre, a bit sweet, but all thought-provoking. It honors the deceased while aiming to increase our understanding of death as part of life. Often open-ended, the stories encourage readers to ponder possibilities. Entertaining and mentally stimulating, The Dead Hand Book could even serve as a classroom textbook.
Craig’s Record Factory: A Young Entrepreneur’s Journey Through the 70s and 80s is described as a “nonfiction novel” by its author, Craig Odanovich. Part autobiographical, part reflective nostalgia, Craig’s Record Factory tells Craig’s story as the owner of a record store and later a video store. It dives into the world of pop culture while interspersing lessons of life, family and business. It is heart-warming, poignant and even educational. It immediately brought me back to my Saturday afternoons at Hegewisch Records.
John Cosper perfectly describes his Dead Park Plaza as “The Office meets Tales from the Darkside.” It is a collection of seven short stories of murder, mayhem and a little mirth at a seemingly mundane office complex. There is nothing mundane about the happenings or the writing though. A bit of quirky humor simply adds to the enjoyment. There could easily be sequels to Dead Park Plaza, and I hope there will be. Author of several other fiction works and co-author on many autobiographies, John has a growing section on my book shelf.
As a long-time fan of the Beatles, I figured I would like The Lyrics: 1956 to the Present by Paul McCartney, but this two-volume set is a masterpiece, a true must for fans of his. The Lyrics is 960 pages of photos, paintings, handwritten notes and personal insights from Sir Paul. Starting from his days before the Beatles, 154 songs are presented, with each one revealing a bit about McCartney. In the absence of an autobiography, The Lyrics serves the same purpose, perhaps even better.
DJ Corchin’s Do You Speak Fish? is clearly a children’s book, but as the grand uncle of two young ones, I find it valuable, especially in these times. It starts with a young boy being frustrated with animals not understanding him and ends with lessons on communication, connection and understanding of others. With fun illustrations by Dan Dougherty, it aims to teach children through a fun story, like all of Corchin’s many books.
Looking ahead to 2022, another book by Lady Sara is already on my radar. Kabumpo in Oz is the 16th book of Oz and the second by Ruth Plumly Thompson. Originally published in 1922, this edition features a new cover and interior illustrations by Sara. This is the story of Prince Pompadore, accompanied by his wise elephant Kabumpo, on an adventure to the Emerald City to marry Princess Ozma. Scheduled for early 2022, it will be on my book shelf shortly after publication.
— John Wroblewski, online writer
A new and expanded campus at the Buffalo AKG Art Museum has been completed, reopening this summer and featuring new architecture designed by the architectural office of OMA New York, led by partner Shohei Shigematsu and project architects Lawrence Siu and Paxton Sheldahl, with Cooper Robertson (executive architect). The new expansion includes the Jeffrey E. Gundlach Building and extensive renovations to existing buildings. A $20-million commitment from New York State and Governor Kathy Hochul helped fulfill the expansion’s budget and completes the $230 million capital campaign, the largest campaign for a cultural institution in the history of Western New York State.
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